Clearing the Air with Max Yuryev - Discussing GH5 Autofocus
Photo Moment - April 07, 2017
My GH5 autofocus video from yesterday seems to have kicked a hornet's nest in the comments, *and* gotten the attention of one prominent YouTuber. So, let's talk about it…
YouTuber Max Yuryev joins me today as we address the growing controversy over the GH5s Continuous Autofocus.
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I think you're giving this "issue" and Max more attention than they deserve. I've been a viewer long enough to know your heart is in the right place and your intention is to help out GH5 owners (like myself) get the most out of their cameras but that isn't the same intention as Max. He may be a professional photographer like you in the real world, offline, but when he makes his YouTube videos he's a reviewer, a critic, and whether a critic is right or wrong it's never worth your time engaging with one.
Sure, some people may be convinced by some weird artificial tests designed to find edge cases that mess up the camera, but mainly you're just feeding the trolls who latch on to bad reviews and want to spread it everywhere. You've given your channel a new platform for these people by bringing Max into it, and responding directly to him and directly to the people commenting on your videos now saying bad things about the camera.
I know as a professional photographer and a professional photography teacher, you want to help people and that's great. I don't mind your video showing the camera being successful and talking about what settings you used, but that should really be the end of it. Ultimately I don't come to your channel to hear you apologizing and excusing and making nice with critics. Critics by their very nature are looking for trouble and they're always followed by people who want to cause even more trouble. I come to your channel for camera information, for information on how to set up a studio shoot, how to take great photos, how to stream, or how to do any of the things you do. I come to learn, and I think you're happiest on your show when you're helping people learn.
The best revenge is in living well, and ultimately no matter what some online critics say about the GH5, there's going to be real content creators like +PierreTL and many more who will simply shoot great video and be thrilled with the GH5 and talk about what the camera lets them do. Those are the people I want to see you engaging, if you're going to bring anyone on your show.
This whole thing reminds me of "Antennagate" with Apple and the iPhone 4. In the end, it was a huge story and Apple felt forced to hold a special press event. The number of actual customers impacted enough to contact Apple was less than 20 out of millions of buyers, but because everyone played along with a couple random internet critics it was a big story and had a big impact on sales. Months later, it came out that Samsung was paying people to trash their competitors on internet comments and the iPhone 4 was a likely victim.
I'm not saying Max is on Sony's payroll, but one doesn't need to be paid to have a bias. We all have biases. You openly acknowledge your bias, but I've yet to hear Max acknowledge his. Ultimately he's just trying to produce a different sort of content from you, and everything he does is going to revolve around that. You can tell from the clickbait-style video titles and loads of opinion statements masquerading as fact that his loyal viewers lap up and spread everywhere with greater and greater hysteria. I'm sure he's a nice guy, many in the critical media are, but there comes a time when you have to decide if it's really worth giving them and the trolls following them a platform when all you really want to do is make educational videos and enthuse about a cool new camera and what it lets you do.
I'll keep tuning in, but the sooner you get back to real world practical photography and videography content, the happier this viewer will be.
I can't get the AF+MF setting to work on the GH5.
Meaning, if set to autofocus, I can't manually override the focus even when half-pressing the shutter or using the AF lock button.
I've tried this with both the "Continuous AF" on and off and in both AFC and AFS/AFF modes.
Any ideas what I am doing wrong?
Using an Olympus 75mm native prime.
I appreciate this video and you disclosing that you are in fact paid by Panasonic (be it as a contractor or an employee). Even though you you strive to stay objective, as you said, you are not going to say the product is bad as there is that relationship there.
No matter what, your first responsibility is to panasonic based on your relationship with them. Even though you may provide a lot of value in your other videos, simply due to your relationship, you cannot be taken with a grain of salt as it relates to Panasonic. ( and I totally get it as a former contractor with HP and others).
Thanks
BTW when I was testing the GH5 (I had one 5-6 times, although only f/w 1.0 the last couple of times) I was unimpressed with the video AF under certain circumstances, especially fairly close in so-so light where it could take several seconds to AF, overshooting and coming back a couple of times (with a DFD supporting lens). The lock-on tracking seemed good, but it's always hard to work out how much of that is just "not changing focus" rather than tracking.
Also in good light a lot of people just stop down instead of using a ND filter, so you an have tons of DoF anyway which makes focusing very easy and assessing people's tests tricky.
My main video-AF issue is when you are shooting something that isn't happening again and the AF decides to wander off and focus on something else. My GH4 does this enough that I generally avoid video AF. Based on my using a GH5 I'd put that in the same category (frankly I think VLoggers should probably just get a Canon M5 with its DPAF if they can live without 4k).
One final point, remember Panasonic's DFD focusing only works with Panasonic lenses, not Olympus lenses or any adapted lenses (e.g. Canon lenses via a SpeedBooster). I think it's great for stills on my GH4 except from time-to-time (1 in 250 to 1 in 1,000 shots, I wonder if light reflected from water is the issue) it gets fooled, shows you a completely blurred image and is really hard to convince it isn't in focus, it can take seconds to sort out).
Good job Max and Joseph. Thanks for getting together and helping GH5 users. I am now subscribing to both of you. Two different personalities and skill levels.
Enjoyed the show.
Looks ok to me with @c3hammer's test.
http://www.personal-view.com/talks/discussion/16622/panasonic-gh5-camera-actual-users-feedback/p4
Have huge respect for both of you guys!
What's good with Panasonic's implementation is that ALL the light can be used for auto-focusing, which means (theoretically) that the camera can focus in very dim light.
Although I only got my GH5 a few days ago, I have had a G85 and a GX85 for several weeks now. Anyway, I have been working-up 5 different great sets of video acquisition configurations; and I am finding that with the exception of low light and poor contrast in mediocre lighting, I am getting similar, and sometimes better results than the SONY A7S, A7S II, A7R II, Nikon D750, or D610 and 7100. While the non-Panasonic options are more fully usable out of the box in terms of auto-focus video, once configured the GH5 absolutely amazes me. I have found a couple little quirks that I am sure they know about and will fix in their coming firmware releases, but I have found workarounds for them.
Again, it took me a total of maybe 12 hours of actual experimentation over the past couple days to get a tremendous set of autofocus video configurations. To me, a couple days of learning and experimentation does not seem like a significant amount of time, considering the benefits of learning to leverage this amazing creative tool (I often say that given the amount of time and money invested in great leading edge solutions like the GH5, the least I can do is to spend some real time learning to use it well).
We use Blackmagic (4K production, 4K Studio, URSA mini Pro and Micro 4K's), and love the fact that with the exception of very low light, I believe that our GH5 is a lot more practical, creatively usable and easy to transport and use. Every camera or other tool has its strengths and weaknesses, the GH5 is a great fit for us for many of our use cases. For the most part, between the GH5 and SONY A7S II, we can cover 95% of our common use cases. So, although we are anxiously waiting for A7S III or whatever they name it, and the upcoming firmware fixes and scheduled upgrades of the GH5; we have never had so few camera models cover so much of our needs before.
So, although it only took a couple days, maybe for other less "patient" individuals, Panasonic might consider providing pre-configured settings combinations for typical use cases. I know that this approach worked well for other companies, and given the amazing level of tweakability that Panasonic provided with the G85, which I completely appreciate and totally salute-- GREAT JOB PANASONIC, AND GREAT WORK AND MUCH THANKS TO YOU PHOTOJOSEPH AND MAX!
I then changed to 4k but still 60p and it was just as good.
So in my very brief tests I'd say to get good results you have to be at 60p. I also had the focus speed at +1 and sensitive at 0
When I saw Max read and then explain the Panasonics manual's answer I thought he did not understand what the manual tried to explain, because he oversimplified the manual's answer into: "so it's normal to not have good autofocus in 4k".
However I believe there maybe a flawed translation in the manual. To me 'Highly accurate focus' sounds like a description of 'very responsive' in the 'responsiveness' setting. The 'reduced Auto Focus speed' is about the focus speed setting. The way that I read this answer is that is when the user cranks up the responsiveness setting to the highest and focus speed to the lowest, the AF will appear not to work. What I believe may be happening in the processing is that the focus change is below a minimal
change given the short measuring interval time the 'very responsive' setting allows for. When the camera measures the second time, there is no (too little) focus change, so the camera does something else (stop focussing/ move back to previous focus?) instead of keep on moving the focus.
I think unravelling this new AF system is going to be a great job for forums like this. I wish Panasonic would explain to us how the AF algorithm works in more detail. The quirks Peter Gregg explains, 60p, pre focussing (grid and white + sign on the main subject TO TELL THE CAMERA WHAT THE MAIN AND PREFERRED SUBJECT IS(!!!) and then pressing record.https://www.youtube.com/watch?v=CyTggg5NcIk
To help you out take a look at Peter Gregg's video on GH5 AF. https://youtu.be/CyTggg5NcIk
In short: Panasonic has a complicated system, with some hidden quirks.
Peter Gregg has fairly good results doing the following:
- 60p 4k / UHD
- 225 focus points
- response speed +5, focus speed +3
- acquire focus on the main subject (using the finger to move the centre
(white plus)on the main target)
- hit the Record button right away.
Apparently the AF 'learns' to recognise the initial subject as the main subject,
and is like a magnet tenaciously wanting to return to that initial subject (!). I think this helps to explain why the AF held on to Max face not shifting to his hands or the holding on to the door and not the model.
I hope this helps, and I can already help this discussion and AF exploration already helped me understand the AF more, so we can use this to our advantage and enjoy using it more.
Panasonic should have explained their AF system better, to a deeper level, so users know how to get the most out of it.
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