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The LUMIX GH6, a Compact Next-generation Mirrorless Camera Featuring Unlimited C4K/60p in 4:2:2 10-bit, 5.7K/60p in 10-bit and 4K 120p HFR / FHD Maximum 300fps VFR Video Recording

Panasonic is proud to introduce the new LUMIX GH6 - the latest flagship model of the LUMIX G Series digital mirrorless camera based on the Micro Four Thirds system standard.

In 2009, Panasonic introduced the DMC-GH1, the first model of the LUMIX GH series, with a photo/video-hybrid concept. Since then, the GH series has been evolved with innovative features demanded by users and now, it has become renowned by creators worldwide as a first-choice tool thanks to its performance, mobility and rugged design. The LUMIX GH6 is the latest addition of the series that again breaks the boundaries of digital mirrorless cameras.

By increasing the effective pixel count by more than 20%*1, the new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range. The new Venus Engine has also been upgraded with advanced image processing technologies to render high resolution image with natural noise texture and rich color reproduction, which is a hallmark of LUMIX cameras. 

The LUMIX GH6 contains V-Log/V-Gamut for the first time in LUMIX G Micro Four Thirds cameras and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode.*2

The new LUMIX GH6 has again evolved to achieve 4:2:2 10-bit C4K 60p unlimited video recording time*3, 4:2:0 10-bit 4K120p, 4:2:2 10bit FHD 240p HFR (High Frame Rate) and FHD maximum 300fps VFR (Variable Frame Rate) to reproduce dynamic motion of the subject. In addition to 4:2:0 10-bit 5.7K 60p, 4:2:0 10-bit 5.8K 30p (4.4K 60p) anamorphic 4:3 video can be recorded utilizing the full area of the sensor. It is possible to display de-squeezed footage on the monitor in real-time. 5.7K 30p video recording is available in Apple ProRes 422 HQ for the first time in LUMIX cameras, which enables non-linear editing without transcoding. Extended recording time is made possible with LUMIX’s heat management technology.

Boasting 7.5 stops of powerful image stabilization with its Dual I.S.2 for agile handheld shooting, the LUMIX GH6 has adopted a new super high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S.*4 and Dual I.S.2*5. It also offers a wide variety of recording formats, resolutions and framerates to choose from according to the purpose.

With expertise drawn from the firsthand opinions, the LUMIX GH6 has been designed and developed to realize high quality video expression and workflow efficiency from setup to delivery in addition to excellent depiction performance and mobility. Together with a wide array of lens options, Panasonic is committed to leading the industry with creators who are seeking for a new way to go beyond the limitations of creativity.

*1 In comparison with the sensor of the LUMIX GH5.
*2 Available in Creative Video mode only, Minimum ISO 800 in standard mode/ISO2000 in V-Log/HLG. 
*3 Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media.
*4 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.
*5 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.

1. State-of-the-art technologies enhance video quality even higher

Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) that boasts high resolution, high-speed signal readout that reduces rolling shutter problem and achieves wide dynamic range. The new Venus Engine delivers approximately twice the processing power*1, enabling high-speed processing of the new sensor's higher pixel counts and higher-resolution, higher-bit-rate video. It has evolved with three key technologies – New Intelligent Detail Processing, New 2D Noise Reduction, and High Precision 3D Noise Reduction for video.  The new Intelligent Detail Processing detects the flat part, detailed part and edge part in a frame more accurately to realize highly realistic image. The new 2D Noise Reduction suppresses chromatic noise and improves the texture of luminance noise to make photo clear and natural even when shot at high sensitivity. With the High Precision 3D Noise Reduction for video, the detection capability of still parts and moving parts has been advanced, which makes it possible to optimize noise reduction while minimizing afterimages. As a result, the image quality of video with dynamic motion is enhanced.  In addition, high-precision Dual 3D Color Control enhances color reproduction by brightness level, saturation level and hue level for rich, faithful color expression.

The combination of the new advanced sensor with the enhanced saturation performance and engine makes it possible to render clearer image even in 25.2-megapixel high resolution and lower minimum ISO sensitivity at ISO 100 [Photo: ISO 50(Extended) - 25600 / Video: ISO 50(Extended) -12800]. 

Dynamic range measures the luminance range that a digital camera can capture. The LUMIX GH6 provides 12+ stops of wide dynamic range for pre-installed V-Log recording capability. Even 13+ stops can be achieved using Dynamic Range Boost mode*2. With the new Dynamic Range Boost mode, saturation-priority image generated from low ISO circuit and low noise image generated from high ISO circuit are synthesized at each pixel. The composite image achieves both low noise and high saturation, resulting in a clear and smooth HDR video with rich gradation.

For agile handheld shooting, the LUMIX GH6 has adopted a new super high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S.*3 and Dual I.S.2*4. Thanks to this powerful image stabilization, even 100-megapixel high resolution image can be shot using the High Resolution mode without a tripod. In High Resolution mode, eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 100-megapixel equivalent (11552 x 8672-pixel) image that faithfully reproduces precise details to be saved as beautiful, highly realistic images not only in RAW but also in JPEG. With its high mobility achieved by the compact, lightweight design and powerful Body I.S., this LUMIX G Digital Single Lens Mirrorless Camera makes shooting that was impossible in the past, such as handheld ultra telephoto shooting, possible. The 5-axis Dual I.S. 2 also works for video recording, including 4K video to record natural, comfortable-to-see video footage. It applies appropriate compensation according to the type of movement by precisely judging the cause – whether it was generated by panning, tilting or hand-shake. The B.I.S. compensates for camera movement even when an interchangeable lens without O.I.S. (e.g. a cine lens) is used.

*1 In comparison with DC-S1H
*2 Available in Creative Video mode only, minimum ISO2000 in V-Log/HLG. 
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.
*4 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.

2. Professional-quality video performance for unlimited expression

The LUMIX GH Series has created an epoch-making industrial sensation by achieving outstanding video recording performance with advanced features that meet professional quality levels and standards. The new LUMIX GH6 again evolves to achieve 4:2:2 10-bit C4K 60p unlimited video recording time*1. 4:2:0 10-bit 4K120p (Equivalent to 5x slow motion*2) and 4:2:2 10-bit FHD 240p HFR (High Frame Rate) video recording with audio also available to enable impressive expression such as speed ramping.  FHD maximum 300fps (Equivalent to 12.5x slow motion*2) VFR (Variable Frame Rate) enables to reproduce dynamic motion of the subject.

In addition to 4:2:0 10-bit 5.7K 60p, 4:2:0 10-bit 5.8K 30p (4.4K 60p) anamorphic 4:3 video can be recorded utilizing the full area of the sensor. It is possible to display de-squeezed footage on the monitor in real time. 5.7K 30p internal video recording is available in ProRes 422 HQ and ProRes 422 for the first time in the LUMIX series using the CFexpress Type B card, which enables non-linear editing without transcoding. DCI4K and FHD ProRes 422 HQ and ProRes 422 will also be supported with a future firmware update.

The LUMIX GH6 also achieves 4:2:2 10-bit C4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit C4K 60p over HDMI. Since it is HDMI 2.1 compliant, it will support C4K 120p HDMI video output with a future firmware update. Moreover, capability of C4K 120p RAW output to Atomos Ninja V+ monitor recorder over HDMI 2.0, is under development, which will also be available with a future firmware update.

The LUMIX GH6 contains V-Log/V-Gamut capture to deliver a high dynamic range and broad colors. V-Log renders a very flat image while maintaining all of the color information within the image. This means that there is a greater level of play when the images are put through post-production processes. The Live MOS sensor of the LUMIX GH6 achieves a wide color gamut known as V-Gamut, which is the GH6’s optimum color space and achieves a color space that is wider than BT.2020. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a color space even larger than film.

The LUMIX GH6 imports the renowned colorimetry of the VariCam lineup of cinema cameras. V709 LUT (Look Up Table) with Rec.709 standard is available in the camera by default. It is possible to see the video footage with LUT applied, not only in live view but also in playback with the V-Log View Assist function. In addition to the conventional .vlt, .cube 3D LUT can be also applied.

The LUMIX GH6 offers a host of practical features. There are a variety of settings in Photo Style including different Cinelike gamma presets. “Cinelike D2” and “Cinelike V2” have similar gamma setting characteristics for film production. In response to requests from professional users, video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps are available. What’s new on the LUMIX GH6 is Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area to secure safety zone for the composition and for the subtitles. Center Marker now allows you to choose the type of the marker. In Color Temperature Setting, the kelvin values can now be displayed on the recording screen.

By using both a XLR microphone connected via the XLR Microphone Adaptor DMW-XLR1 (Ch1 Ch2) and built-in microphone (Ch3, Ch4), 48/96kHz 24-bit high-res audio can be recorded*3. Users can combine several types of external microphones that fit the recording situation such as outdoor interviews where the voice of the speakers and ambient sound need to be recorded. The channel to use for the headphone can be switched during video recording and audio menus can be directly accessed with the Fn1 button on the camera top for easy sound level check during 4-channel audio recording. For the external microphone, a Φ3.5mm stereo jack is provided.

4K 60p Time Lapse videos can also be produced inside the camera. With the Exposure Leveling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames to produce equable time lapse footage.

USB host capability will be added with a future firmware update, making it possible to write the data directly to the SSD.

*1 Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media.
*2 In 24p
*3 4-channel audio recording is available in ProRes and MOV.

3. Agile mobility and smart operation for professional use

Taking the most of the new sensor and the new image processing engine, auto focus performance of the LUMIX GH6 has been improved. With higher speed signal processing by the new image processor and improved AF algorithm, subject detection performance has been dramatically enhanced to achieve higher precision AF.

To support high-precision focusing, the LUMIX GH6 provides practical options for manual focusing. While focus is shifted with variable amount according to the rotation speed of the focus ring for non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 360 degrees by 30-degrees to enable intended focus operation. The MF Assist, which enables the focus point to be enlarged, is now available not only in photo shooting but also in video recording*.

The LUMIX GH6 is capable of high speed burst shooting at 14 (AFS) / 8 (AFC) fps with a mechanical shutter and 75 fps with an electronic shutter.

The LUMIX GH6 adopts the 3.0-inch free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution. It does not cause interference even when both the HDMI cable and USB cable are connected by adjusting the tilt/rotation angle of the monitor. A large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) features a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent).

*Up to 60p. Does not work in Variable Frame Rate mode.

4. Reliable quality and performance for professional use and connectivity

Overheating is a fatal issue to continuous video recording especially when the resolution and the frame rates are increased but the LUMIX GH6 achieves unlimited video recording time*1 in C4K 60p 4:2:2 10-bit by optimizing the heat dissipating path with a forced-cooling mechanism and allows video recording of VFR/HFR, ProRes and high resolution footage exceeding 4K for an extended time. 

In order to make the GH6 tough enough to withstand even heavy field use, it is composed of a magnesium alloy full die-cast front / rear frame and is not only splash-resistant*2 but dust-resistant and freeze-resistant down to -10 degrees Celsius/14 degrees Fahrenheit. The shutter unit is also durable for approx. 200,000 cycles. The Rec button is located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig. 

The LUMIX GH6 is equipped with double card slots.  The CFexpress card (Type B) supports  internal recording of high bitrate video at 800Mbps or more including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less and it is also possible to choose the recording method from Relay Recording, Backup Recording, Allocation Recording using both SD Memory Card and CFexpress Card. 

For the terminal, HDMI Type A is provided. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent issues such as unplugging on location. The LUMIX GH6 supports USB 3.2 Gen 2 for high-speed writing and readout.  The 2200mAh high-capacity battery can be recharged either via AC or USB according to the users’ convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 (sold separately) is used. The LUMIX GH6 is also compatible with Time Code IN/OUT synchronization through the flash synchro terminal and bundled BNC converter cable with BNC cable. This makes the non-linear editing of footage shot with multiple cameras easy.

Wi-Fi 5 GHz (IEEE802.11ac)*3 is effective in addition to 2.4 GHz (IEEE802.11b/g/n). This provides secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5 GHz band. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of a LUMIX GH6 camera can also be copied and transmitted wirelessly to other GH6 cameras when using multiple GH6 cameras. The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting.

*1 Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media.
*2 Splash Resistant is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with water.
*3 5GHz Wi-Fi is not available in some countries.

5. A wide variety of LUMIX G lenses – Exclusively designed for Micro Four Thirds camera

The Panasonic LUMIX G Series boasts a total lineup of 30 Micro Four Thirds lenses to choose from according to the purpose. Above these, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (X-H1025) and the LEICA DG VARIO-SUMMILUX 25-50mm / F1.7 ASPH. (H-X2550) zoom lenses features full-range F1.7 large aperture and are favored by professional film creators as well as other single-focal- length F1.7 or F2.8 lenses. In addition, the LUMIX GH6 memorizes the name and its focal length of analog lenses such as anamorphic lenses or old lenses to provide suitable setting of camera’s in-body image stabilizer automatically when those lenses are used.

Considering use with the LUMIX GH6, Panasonic has reviewed and updated the firmware of the lenses. It is possible to control AF operation by pressing the shutter button halfway, or by pressing the AF-ON button, when [200.00p] is set in high frame rate video mode when H-E08018/H-X1025/H-X2550/H-ES12060/H-ES50200/H-RS100400/H-XA025/H-ES200/H-HSA12035/H-FS12060/H-HSA35100/H-FSA45200/H-FSA100300 lenses are used. The H-NS043/H-X012/H-X015 lenses will follow these update and they will also have Focus Ring Control and improved AF performance in 24.00p/23.98p mode. The firmware update of the H-NS043/H-X012/H-X015 is scheduled on March 1st, 2022.

*For more information on the lens’ firmware update, please refer to https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/inde…

6. Future firmware update

To enhance the performance of GH6, the functions below will be available with future firmware update following the needs of customers. 

• DCI4K ProRes 422 HQ / ProRes  422
• FHD ProRes 422 HQ / ProRes 422
• USB-SSD direct recording
• 4K 120p HDMI Video output during Live View
• DCI 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+

•Micro Four Thirds™ and Micro Four Thirds Logo marks are trademarks or registered trademarks of OM Digital Solutions Corporation, in Japan, the United States, the European Union and other countries.
•Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.
•ATOMOS / Ninja V are registered trademarks of ATOMOS Limited.
• Android and Google Play are trademarks or registered trademarks of Google Inc.
• iOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
•The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Panasonic Corporation is under license. Other trademarks and trade names are those of their respective owners.
•”Wi-Fi®” is a registered trademark of Wi-Fi Alliance®.
•The CFexpress Ver2.0 Type B is a trademark licensed by the CompactFlash Association.
•SDXC Logo is a trademark of SD-3C, LLC.
•The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing, LLC in the United States and other countries.
•The USB-IF Logos are trademarks of USB Implementers Forum, Inc.
•Other names, company names, product names mentioned in this document are trademarks or registered trademarks of the companies concerned.
•Specifications are subject to change without notice.

A pioneer in the Micro Four Thirds class, the Lumix GH6 Mirrorless Camera from Panasonic is a petite beast that challenges full-frame rivals, a powerful hybrid addition to the video-centric GH series that offers cutting-edge tech to cinematographers and photographers alike. The improved processing power of the Venus Engine enables fast sensor readouts for internal recording of 5.7K 30p in Apple ProRes 422 HQ, FHD 300p, and handheld 100MP photos. The GH6 properly exposes across 13+ stops, features in-body, sensor-shift stabilization, and can be spliced into VariCam footage with its pre-installed V-log image profile. Panasonic has created a compact flagship camera that professionals can choose for stills, as primary workhorse for independent cinema, or as an extra angle on feature productions.

Flagship Imaging Platform

High Resolution 25MP Sensor, 5.7K Video

Redesigned from the ground up, this sensor improves upon its predecessors in the GH Series with new silicone and software. It has an improved 13+ stops of dynamic range despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to internally record 5.7K Apple Pro Res 422 HQ, or the SD slot to capture 10-bit 4K120p footage. The ability to record high bitrates and an unlimited recording time set this camera apart from any of its predecessors.

For maximum sharpness, the sensor is unhindered by a low-pass filter; it smooths out any moiré through intelligent detail processing from its updated Venus engine. Relying on its next-generation image stabilization, this camera synthesizes eight distinct images into a single 100MP image - all without requiring a tripod.

Lightning-Fast Sensor Readout

The Venus Engine has twice the power of previous generations, which enables 75 fps continuous shooting or 300 fps variable frame rate (VFR) slow motion footage. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects.

Stabilization: In-Body, Sensor-Shift

• In-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule.
• Its in-body, sensor-shift technology works seamlessly with the optical image stabilization of Panasonic lenses. Electronic stabilization is available who those who accept the slight cropping effect it requires. Boost I.S. mode is the most extreme form of electronic stabilization, simulating a shot locked off on a tripod.

AF & AE Highlights

• The processing speed of the autofocus has been tripled, powering the 315-area contrast-detection depth-from-defocus (DFD) system. The updated algorithm calculates the distance to your subject and predicts whether it is moving closer or further away from the camera, anticipating where it will be for the following frame. It functions by collecting data from several focal planes, then creating a 3D, real-time depth map.
• The subject-tracking focusing system also supports face, eye, head, body, and animal recognition. The autofocus will automatically switch from body recognition to face, then eye recognition as the subject approaches the camera for improved sharpness.
• The Focus Limiter, Manual Focus Assist and an updated joystick enable quick and precise focusing. Zone AF is a less obstructive overlay, and Face Priority in Multi Metering prevents unwanted exposure changes.

Professional-Grade High Bitrate Video

Limitless Latitude

• 5.7K 30p recording is supported in the high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high bitrate footage well-suited for intense manipulation in post-production.
• The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in color grading.

Preserve 13+ Stops of Detail

• Shooting in V-Log and V-Gamut will give you 12+ stops of dynamic range, which can be increased to 13+ stops by activating its dual-analog gain circuits with Dynamic Range Boost Mode. One circuit using ISO 800 absorbs the richness of the visible spectrum while maintaining detail in the highlights, and ISO 2000 captures low-noise gradients of black in the shadows.
• The well-exposed picture is composited once passing through the Image Synthesis Dedicated Circuit. This makes it different from a dual-native design because you're not selecting one ISO or the other, but both are working in tandem. Dynamic Range Boost Mode is available for footage shot up to 60 fps.

Unlimited Recording Times

Panasonic recognizes the importance of shooting extended clips and has designed the GH6 to not have a maximum record time. Extended takes like interviews and live events can be recorded in their entirety, reducing sync errors, and simplifying data management. This is made possible by a fan-driven active cooling design that radiates heat away from the sensor.

Intelligent Image Processing

3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise which appears in only one of the three frames. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details like hair and wires to minimize moiré patterns.

Flat Profile & Expansive Color Space

Edit seamlessly with VariCam cameras with accurate color reproduction and subtle gradations from dark areas to highlights. V-log and Hybrid Log Gamma preserve the maximum amount of data, leaving your colorist with plenty of latitude to shape the aesthetic with creative LUTs. The GH6 supports both .CUBE and .VLT formats for V-Log View Assist in real time to approximate the final look of your deliverable.

Anamorphic Versatility

• Record open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
• Store up to 10 anamorphic lenses on the GH6 for quick swaps and ready-to-view, desqueezed footage. Images can be desqueezed in cinescope size. Magnification rate is also selectable from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x.
• The Image Stabilizer Anamorphic setting is ideal for using an anamorphic lens. To properly interpret the visual information for stabilization processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x depending on the lens magnification.

Super-Slow Motion

By shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without a scratch track, freeze time with the super-slow 300 fps variable frame rate (VFR) footage in 10-bit FHD. Autofocus remains available to actively make changes while recording up to 200 fps.

Instant Back-Up

Simultaneous internal and external recording via the HDMI port broadens your options for redundancy and storage, particularly convenient when shooting live events over an hour long. Record in resolutions up to DCI 4K in 17:9 with a bit depth up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.

High-Fidelity Sound

Enhanced audio features enable high quality audio recording. The GH6 is always ready to capture 48kHz 24-bit with built-in mic. Boost that to 96kHz 24-bit with an external mic. For recording interviews with multiple mics, HDMI will output 4-channels of audio data.

Scopes & Assists

• The Wave Form Monitor, Vector Scope, and Luminance Spot Meter feed you vital information about your levels.
• Time lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing.
• Focus Transition, Frame Indicator, and Frame Marker improve the workflow in both production and post-production.
• Safety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display help keep your action properly oriented, centered, and in focus.

Firmware Updates

To meet clients' needs as new technologies emerge, Panasonic is planning to release the following firmware updates:

• DCI4K Apple ProRes 422 HQ / Apple ProRes 422
• FHD Apple ProRes 422 HQ / Apple ProRes 422
• USB-SSD Direct Recording
• 4K 120p HDMI Video Output during Live View
• 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+

Photography Capabilities

Hybrid Strength

Though Lumix is known for stellar video production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual image stabilization, and continuous shooting up to 75 fps with an electronic shutter.

100MP Shots

Image stabilization technology enables 8 consecutive stills to be synthesized into one high-resolution, 100MP image without the use of a tripod. Dynamic Range Boost Mode is automatically engaged in all photo modes.

Clean Details in Low Light

Details are retained and color noise is reduced, even when shooting in dimly lit conditions that require high ISO. When conditions are less-than-ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.

Shutter Flexibility

Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed.

Rapid-Fire for Three Seconds

Achieve 75 fps burst shooting (AFS, electronic shutter) while maintaining 25.2 megapixels due to the faster readout speed of the GH6 sensor and the superior processing power of the new Venus Engine. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with an electronic shutter and AFS or 14 fps with a mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with a mechanical shutter or 7 fps with an electronic shutter.

Ready-to-Share

• Several picture profiles are included to save time editing, including L. Classic Neo, a film-like effect with a nostalgic, soft coloring. L. Monochrome S is a black and white effect with a gentle touch suited to portraits. Cinelike modes have a film-like finishing touch using a gamma curve to prioritize dynamic range or contrast.
• For professional control, V-Log's flat profile is available when taking stills. Manually adjust the contrast, saturation and sharpness and save it as My Photo Style 1-10 for a detailed profile down to the ISO and white balance.

Professional and Reliable Design

High-Definition LCD

The free-angle 3.0-inch 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It is high contrast, high brightness, and high visibility even under strong sunlight. Its intuitive design uses static touch control and has an improved locking mechanism for easier use.

Intelligent Eyepiece

The 3.68m-dot OLED Live Viewfinder has a 0.76x-equivalent magnification for bright, realistic eye-level monitoring.

CFexpress Type B & SD

The dual card slot provides options dependent on the bitrate of your shoot. The CFexpress Type B slot is necessary to record higher bitrate formats like Apple Pro Res 422 HQ and 800 Mb/s 4:2:2 10-bit ALL-Intra footage. The SD card slot records bitrates up to 600 Mb/s when using high performance UHS-II U3 Class 10 SD cards.

Danger: High Voltage

The GH6 takes DMW-BLK22 lithium-ion battery and provides approximately 360 shots per charge.

Weatherproof Below Freezing

The body of the GH6 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card.

Ergonomic Optimization

• Spend less time rummaging through digital menus by using its dual ring selectors find your preferred shooting mode. The design of the camera incorporates dedicated buttons for key features like the zoomed-in manual focus assist box and audio information button for quick adjustments of the levels.
• An additional video record button on the face of the GH6 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones (available separately).

Wireless & Remote Control

• To expand the flexibility of data transfers and remote control, wireless options are built into the design. Wi-Fi 5GHz and Bluetooth v5.0 enable the transfer of photos and footage to a cell phone, which can then be beamed to a news station. Updating the camera's firmware can be accomplished wirelessly via a smartphone.
• Remotely control up to 12 GH6 cameras via and LUMIX Tether app via USB. Adjust settings like the metering mode, recording quality, and focus mode, then transfer the footage to the computer after recording. When prepping those cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match the recording settings.

In/Out

• This camera provides options to connect to external devices. The USB 3.2 Gen2 Type-C enables data transfers of 10Gb/s, powers the camera, or charges the battery. The HDMI Type-A port feeds the footage to an external recorder, or the hot shoe mount connects to an XLR expansion device like the DMW-XLR1 (available separately).
• A 3.5mm headphone jack is located on the side of the camera, above the 3.5mm headphone jack. On the front of the camera, a flash synchro socket doubles as a timecode in/out when using the included BNC converter cable.

The long-awaited Panasonic LUMIX GH6 has arrived. Here’s what’s new.

The GH6 can shoot 4K video up to 120 frames per second, in 10-bit, unlimited recording time.

And it can shoot full HD up to 300 frames per second, also in 10-bit, also, unlimited recording time.

It’ll shoot Cinema 4K up to 60p at 4:2:2 10-bit All-Intra, unlimited.

And, it can shoot Apple ProRes 422 and 422HQ at 5.7K internally, also, unlimited recording time.

Thermal management is assisted by an active cooling fan, just like on the full-frame LUMIX S1H.

And all formats in MOV mode are 10-bit.

The GH6 can shoot in a 4:3 aspect ratio at 5.8K. That’s full-sensor readout, ideal for anamorphic or open-gate shooting.

Full V-Log is included, which when combined with Dynamic Range Boost, provides cleaner shadows, and over 13 stops of dynamic range.

The 7½ stops of image stabilization provide a near gimbal-like experience for handheld video, and for still photography, enables longer handheld exposures than ever before.

The GH6 can internally record up to four channels of audio at 96 kHz / 24-bit when combining the XLR1 and the 3.5mm microphone port. There’s even a new dedicated audio button to access the new audio menu.

While we’re talking physical buttons, the GH6 has dual record buttons, on the top, and front of the body. Plus tally lights on the front and back of the camera.

It provides Timecode IN and OUT via the PC-port and the included timecode adapter.

And it has an anti-rotation tripod pin for video tripod mounts.

The USB-C 3.2 port can be used for charging, power delivery from an external battery, and camera control with the LUMIX Tether app over USB.

The TILT and FREE-ANGLE LCD, just like on the S1H, provides not only versatile positioning, but the LCD panel swings clear of the side ports.

The GH6 provides dual memory card slots; one SD UHS-II slot, and one CFexpress Type B slot, to capture that 1.9 Gbit ProRes 422 HQ footage, which when combined with a Thunderbolt reader, provides incredibly fast file copies to your computer.

There’s a new CINE-style file-naming format, customizable for your shoot.

LUTs can now be loaded in both .VLT and .CUBE formats, and can have long file names.

And the GH6 can enlarge the focus area for accurate manual focus — while recording.

The GH6 has the best autofocus seen in a LUMIX Camera. Yes, it’s still DFD, but it keeps on getting better. “As we go from this, to this, and back over here to this, let’s see what we got!”

The GH6 has the highest resolution sensor ever in a Micro Four Thirds camera, at 25.2 megapixels, which when used in High Resolution Mode, can create 100 Megapixel still photos.

It shoots up to 1/32,000 of a second shutter speed, and can capture up to 75 frames per second, RAW.

Finally, coming in a Firmware Update — internal ProRes at DCI 4K and full HD, (in addition to the 5.7K available at launch), recording to SSD drives over USB, 4K 120p HDMI out, and up to 4K 120p RAW video data output over HDMI.

I’m PhotoJoseph, a LUMIX Ambassador. If you want to talk about this new camera, join me and my friends in my channel-member Discord by visiting YouTube.com/photojoseph/join, and visit GH6Training.com to learn about the upcoming training course that I’m filming.

Thanks for watching, don’t forget to subscribe for more GH6 videos, and see you next time.