How to: Live Event Coverage for 9:16 Social Media & 16:9 UHD Post
A complete blueprint for how to cover a live event with professional cameras, have immediate social presence, and have top quality media to edit from later.
Atomos recorders add a touch-screen Pro-Res recorder/large monitor with tons of informational overlays to your camera to help improve the quality and workflow of your video projects.
A complete blueprint for how to cover a live event with professional cameras, have immediate social presence, and have top quality media to edit from later.
At NAB I shot a news stories from the show floor on a vertical LUMIX S5II camera in 6K open gate mode while utilizing ATOMOS Camera to Cloud (C2C)
I was on the show floor of NAB 2023 shooting short stories… in 6K! Why oh why would we do that? Just watch to find out!
I'm showing off the Accsoon CineView HE wireless HDMI and F-C01 wireless focus controller by shooting some scenes, then breaking them down… enjoy!
I just got back from NAB 2022, and Aaron Parecki joined me to discuss what we saw! ATOMOS camera-to-cloud, Epiphan live cloud switching, Blackmagic updates…
The ATOMOS AtomX Ninja CAST is here — but who's it for? It's a switcher, but not an encoder, which makes it more like the $295 ATEM Mini than anything else — for some use cases, at least!
This is a massive workflow video, sponsored by ATOMOS to show off the integration of ProRes RAW, ATOMOS Recorders and Adobe Premiere.
This 30 second “movie scene” was shot as demo footage for SIRUI Imaging and ATOMOS projects. This was shot using SIRUI anamorphic lenses on LUMIX BGH1 cameras to ATOMOS NINJA V recorders in ProRes RAW.
There's never been a better (or more affordable) time to get into anamorphic cinematography. Check out this new four-lens kit from SIRUI!